On her last night on Earth, she finds herself on the phone, pleading with a pilot named Hugo to keep the sick people on his plane quarantined so as to save the lives of those in the Severn City Airport. "And escape." At a young age, she lost her family to a hurricane named Hugo, and after that, art became her sanctuary. He warns against the Museum of Civilization - where the Traveling Symphony is headed - but rather than being some other Big Bad, the man behind the curtain there, Clark, is someone we've already met with his own human foibles. It demystifies him, the shadowy cult leader, as more of a Peter Pan type. ![]() The reveal in episode 5 that the Prophet is Tyler, the runaway son of Arthur and Elizabeth (Caitlin Fitzgerald), is not entirely unexpected, but when it comes, it serves to realign the conflict as more of a personal dispute between family members instead of the typical warring tribes of apocalypse survivors. Misunderstandings boil over into conflict and people wrong each other yet are still capable of resolving their differences. ![]() What's refreshing about "Station Eleven" is the ray of optimism that filters through it even as characters face grim circumstances and endure loss. That's what artists do: they put their pain on the canvas and confront it through mimesis. Having a character be physically present in their memories, observing and interacting with them, is a visual storytelling device that doesn't always justify itself, but in "Station Eleven," the poison's effect on Kirsten is representative, in a way, of how inner demons can be useful for introspection before one exorcises them. That's just one mode of creativity on display in "Station Eleven." The show takes its name from Miranda's homemade graphic novel, which becomes an almost religious text for a group of lost children, led by the Prophet (Daniel Zovatto). All of these people inhabit a post-apocalyptic landscape where, as the title of one episode tells us, "Survival Is Not Sufficient." There are dangers present - the children themselves carry landmines - but the adults are also overgrown kids with the power to detonate relationships. Whether it be through art or reunion and reconciliation with estranged loved ones, their souls need sustenance just as much as their bodies. The words come spilling out of his mouth and he says, "Get in the zone of positivity, not negativity, cuz we gotta strive for longevity." Frank has looped a sound clip of a man laughing into a hip-hop beat, and before the scene is over, he has climbed up onto his chair and gotten his roommates on their feet, bouncing along as he delivers an electrifying lyrical flow. Jeevan's brother, Frank (Nabhaan Rizwan), hobbles in on a cane and sets a tape deck down on the table in front of Jeevan and Young Kirsten, played by the phenomenal young actress, Matilda Lawler. This is a show where people stuck in an apartment without heat keep themselves warm by rapping. ![]() Now, the series has pulled into the station, as it were, with its 10th and final episode airing on January 13, 2022. It wasn't until the show's second week and fourth and fifth episodes that the pattern of "Station Eleven" began to feel familiar as Kirsten's Year 20 storyline resumed and Clark (David Wilmot) stepped into the spotlight more. Kirsten took center stage in episode 2 as a member of the Traveling Symphony, a troupe of Shakespearean actors who move from place to place, staging "Hamlet" by firelight in Year 20 of a world that has been ravaged by a fictional flu with a survival rate of 1 in 1000.Įpisode 3, however, pivoted back to the past and the POV of Miranda (Danielle Deadwyler), who turned out to be more of a recurring character than a main character. The show "Lost," with its similar time-jumping nature and focus on connections or degrees of separation between people, is one obvious comparison, except that "Station Eleven" began by orbiting Jeevan (Himesh Patel) and didn't introduce the grown-up version of its ensemble lead, Kirsten (Mackenzie Davis), until the very end of episode 1.
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